梁锡鸿, 学大庆, 1970

This painting embodies  much of the spirit of Maoism, as it should, since Daqing was the great emblem of late Maoism, the great spirit that all other leading sectors of the economy should follow. So what was this spirit? As this image makes clear, it was polution aestheticized. It was the noxious area not as... Continue Reading →

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